Robert Schumann is still among us. The other classical, long dead composers, haven't taken any interest in us in a long time. But Schumann, like some dead writers, is here. He never misses an interesting concert, and he is up to date on literature and politics. Beware, critics! Schumann reads what you write and he doesn't necessarily approve of your judgment. Why am i so sure? Partly of course because one has such a very clear idea of his personality through his letters, his diaries, his publications and his music. His contradictions are familiar and dear : cranky, cheerful, lonely, sociable;, enjoyed playing with his children but didn't want them to bother him; keenly enjoyed admiring and broadcasting the talents of others, could not stand having his own talent overlooked; loved food and drink, but stopped eating and drinking; could feel romantic about men and women, both dead and alive - stop. There's the tip off: Schumann himself didn't draw a big distinction between those who are ...

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The film is based on a purportedly true story, which has since become one of the most famous "time slips". The two ladies' real names were Annie Charlotte Moberly and Eleanor Jourdain, who at the time occupied high teaching positions within Oxford University. The script is based on their book "An Adventure" (1911) which was published under assumed names. Written by BlueGreen

America's Ghosts Flaunted satirizes the current crop of cable TV paranormal reality shows, most notably Ghost Hunters. We join an inept group of would-be nerdy paranormal investigators, led by an ambitious pizza delivery guy, in their quest to land their own reality TV ghost-hunting show. Yet unlike their successful counterparts, this group finds themselves literally begging people for access to their allegedly haunted houses, which more often than not simply earns slamming doors and calls to the police. In this pilot, the group investigates a house which is clearly not haunted, yet are convinced every creak and crack is clear evidence of the paranormal.

The Berlin State Opera is back at its place of origin: Unter den Linden! After extensive renovations, it was reopened with Schumann's scenes from Goethe's Faust under the direction of Daniel Barenboim. Staged by Jürgen Flimm and with the stage design by the renowned German artist Markus Lüpertz

A young boy is sent to spend a summer with his charismatic and eccentric grandfather on a remote Welsh farm. Expecting dull days and strict rules, the boy instead stumbles into a world of delightful chaos and imagination – where outrageous stories are spun, and a world of wonder, memory, and mischief unfolds.

Old Mother Riley gets involved in a plot to steal an invention

Mr Mockler and Mrs Acland have never met, but gradually Mrs Acland 's ghosts begin to take over Mr Mockler 's life.

Devika, a compassionate and grounded music teacher living a seemingly ordinary life, is engaged to an insecured and possessive Jaggu. Meanwhile, she bumps into a stranger Danny and his arrival begins to shift Devika's world, leading her down an unforeseen path of self-discovery and unexpected connections.